Monday, December 07, 2009

I GOT FEELINGS TOO YOU KNOW

hej bloggen, ida blevv ja jäteledsen, mikaela hade lånat mej pengar för ja skulle köpa en sak typ.. sen fick jag ju liksom växel o så. men jag sa att hon kunde få en kram ist för växeln (85kr hallå!!!) o hon ba totaldissa mig o gav mig avslag på mitt förslag o nu e det monsterdepp pga deTTA. min kram är tydligen inte värd 85kr men nån da kommer hon ändra sig, när jag e tjendiz o allas idol då står hon där me sina 85kr som knappt räcker till en big mac pga inflationen, in ur face säger ja då.
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Tuesday, February 10, 2009

TRY GETTING A RESERVATION AT DORSIA NOW YOU FUCKING STUPID BASTARD


http://www.aolcdn.com/tmz_audio/020209_christianbale.mp3

Bateman: "-kick your fucking ass-"
Hurlbut: "-Christian Christian-"
Bateman: "I want you off the fucking set, you prick!"
Hurlbut: "Christian, I'm sorry."
Bateman: "No, don't just be sorry! Think for one fucking second. That the fuck are you doing? Are you professional or not?"
Hurlbut: "Yes I am."
Bateman: "Do I fucking walk around and rip down-"
Bruce: "-Christian, Christian-"
Bateman: "-No, shut the fuck up Bruce! Do I want -NO NO- Don't shut me up-"
Bruce: "-I'm not shutting you up-"
Bateman: "-Am I gonna walk around and rip your fucking lights down, in the middle of a scene? Then why the fuck are you walking right through uhdaduhdaduh like this in the background? What the fuck is it with you? What don't you fucking understand-"
Random: " take everybody out."
Bateman: "You've got any fucking idea about -- hey it's fucking distracting having somebody walking up behind Bryce in the middle of the fucking scene. Give me a fucking answer! What don't you get about it?"
Hurlbut: "I was, looking at the light."
Bateman: "Oh good for you! And how was it? I hope it was fucking good because it's useless now isn't it? Fuck's sake man, you're amateur. McG, you got fucking something to say to this prick?"
McG: "I didn't see it happen."
Bateman: "Well somebody should be fucking watching him and keeping an eye on him."
McG: "Fair enough."
Bateman: "It's the second time that he doesn't give a fuck about what is going on in front of the camera-"
McG: "-alright-"
Bateman: "-alright? I'm trying to fucking do a scene here and I'm going: Why the fuck is Shane walking in there? What is he doing there? Do you understand my mind is not in the scene if you're doing that."
Hurlbut: "I absolutely apologize, I'm sorry I did not mean anything by it-"
Bateman: "Stay off the fucking set man, for fuck's sake. Alright let's go again."
Random: "Let's take a minute."
Bateman: "Let's not take a fucking minute, let's go again! And let's not have you fucking walking in! Can I have Tom put this on please?"
Random: "Yeah Tom wardrobe please, Tom wardrobe."
Bateman: "You're unbelievable man, you're un-fucking-believable. Number of times you're strolling afucking round in the background. I never had a DP behave like this. Uhh, you don't fucking understand what it's like working with actors, that's what that is-"
Hurlbut: "-no that's not-"
Bateman: "-THAT'S what that is man, I'm telling you. I'm not asking I'm telling you. You wouldn'ta done that otherwise."
Hurlbut: "-No, what it is is looking at the light and making sure uh, that you were-"
Bateman: "-I'm gonna fucking kick your fucking ass if you don't shut up for a second-"
Random: "-Christian Christian just cool it-"
Bateman: "I'm gonna go, you want me to fucking go trash your lights? Do you want me to fucking trash them? Then why are you trashing my scene?"
Hurlbut: "-I'm not trying to trash them-"
Bateman: "You are trashing my scene! You do it one more fucking time and I ain't walking on this set if you're still hired. I'm fucking serious. You're a nice guy, you're a nice guy. But that don't fucking cut it when you're bullshittin and fucking around like this on set."
McG: "Alright lets lets try again."
Bateman: "Yeah you might get it, he doesn't fucking get it-"
McG: "I got it, I know I get it, I get it.
Bateman: "You might, he. Does. Not. Get it."
McG: "I know, and good adjustments, okay? For real, honestly, I get it. Let's walk for five seconds."
Bateman: "No I don't need any fucking walking. He needs to stop walking, I ain't the one walking. Let's get Tom to put this back on and let's go again. Seriously man you and me we're fucking done professionally. Fucking ass."

Wednesday, April 11, 2007

DELICIOUS COPYPASTA

I GUESS THIS WEBSITE COULD BE MY OWN TRIBUNE. ENGLISH IS NOT MY NATURAL LANGUAGE, BUT I THOUGHT I WOULD WRITE THIS MYSELF. HOPEFULLY IT WILL MAKE SENSE TO SOME, AND STRAIGHTEN SOME IMPRECISE RECORDS. I WAS SILENT FOR A LONG TIME. I OBSERVED WITH INTEREST HOW BLURRY AND TWISTED EVERYTHING HAS BECOME. I ALMOST FEEL LIKE I’M A STRANGER TO ALL THIS, AND TOTALLY RELIEVED IT HAS FINALLY COME OUT. IN JULY 2000, ALMOST 7 YEARS AGO, I JOINED CHRISTIAN DIOR AND STARTED TO DEFINE DIOR HOMME. I CAME FROM SAINT LAURENT. I WAS A LITTLE MISERABLE AND SAD OF THIS SUDDEN EXODUS, BUT THE IDEA OF STARTING EX-NIHILO A DIFFERENT MASCULINE PROJECT AT DIOR WAS APPEALING. I’VE ALWAYS FELT FOR THIS BEAUTIFUL HOUSE. I BELIEVED DIOR HOMME, NEWLY CREATED, COULD BE A HOLISTIC PROJECT. THROUGH THE YEARS I WAS LUCKY ENOUGH TO COLLABORATE WITH SO MANY CREATIVE MINDS AND DEVELOP A COMMON SENSIBILITY. I WANT TO THANK THEM ALL FOR A REALLY FRUITFUL COLLABORATION. IT WAS A TIME CAPSULE―7 YEARS OF PRODUCING MUSIC, BANDS, ARCHITECTURAL SPACES, ART PROJECTS, AND DESIGN. I GUESS I WAS SOLELY INTERESTED IN THE TIME I WAS IN, LIVING IN COMPLETE MOVEMENT. I ALWAYS TRIED TO STAY FAITHFUL TO MY BELIEFS, AND THE IDEAS I WAS PURSUING. I TRIED NOT TO GET DISTRACTED. I HAD A CERTAIN IDEA OF THE HOUSE OF DIOR, WHICH I LOVE, AND TRIED TO EXPRESS IT THROUGH DIFFERENT MEDIUMS. IT WON’T BE FOR ME TO JUDGE IF IT WAS OF ANY RELEVANCE. I WAS JUST TRYING SOMETHING WHEN MY MOM GOT SCARED AND SAID "YOU'RE MOVING WITH YOUR AUNTIE AND UNCLE IN BEL-AIR." I WHISTLED FOR A CAB AND WHEN IT CAME NEAR, THE LICENSE PLATE SAID "FRESH" AND IT HAD A DICE IN THE MIRROR. IF ANYTHING I COULD SAY THAT THIS CAB WAS RARE BUT I THOUGHT "NAH, FORGET IT, YO HOMES, TO BEL-AIR!" I PULLED UP TO THE HOUSE ABOUT SEVEN OR EIGHT AND I YELLED TO THE CABBY, "YO HOMES, SMELL YA LATER!" I LOOKED AT MY KINGDOM, I WAS FINALLY THERE, TO SIT ON MY THRONE AS THE PRINCE OF BEL-AIR.

Sunday, August 27, 2006

THE END

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WITH MY AK I'M STILL THE THUG THAT YOU LOVE TO HATE






Monday, July 31, 2006

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sasha p

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Sunday, July 30, 2006

THESE BOOTS WERE MADE FOR WALKING

.be delivers


raf simons aw05

Ann D utmanar



on a more serious note..

you shouldn't let poets lie to you.

Saturday, May 06, 2006

GOT BLOG?